Not to be Rude

Boris is coming to the big screen. Nina Jacobson, the producer behind The Hunger Games, has acquired the rights to adapt Donna Tartt’s The Goldfinch. Whether it will be a film or TV miniseries is still up for question, but if the actors need any help getting into character, check out our essay on identifying with Theo and learn how to tweet like Boris.

“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)

“‘I think she is better than J. L. Borges—who is good, but not all that good!” said poet Elizabeth Bishop of Brazilian writer Clarice Lispector. Bishop was one of Lispector’s first English translators, but also one of her fiercest critics. Alexandra Pechman writes for the Poetry Foundation about their literary rivalry and grudging respect. Pair with Magdalena Edwards’s Millions review of Lispector’s The Complete Stories.