In 1998, T.C. Boyle released his first massive collection of short stories, titled, appropriately enough, Stories. Clocking in at 700+ pages, the book illustrated the zany profligacy of one our premier short fiction writers. Now Boyle has released a new collection — titled (of course) Stories II — and with it comes a new trailer.
“Russia’s most celebrated writers – including Dostoevsky, Tolstoy, Nabokov, Bulgakov, Solzhenitsyn and Mandelstam – are often depicted as solitary geniuses. But many of their works were the fruits of creative partnerships with their wives. Far from being passive typists, they served as editors, researchers, translators, publishers and more.”
David Mitchell’s The Bone Clocks now has an official release date, as well as ample pre-publication details to whet your appetite. News of the book, which will be available in September, also came with the announcement of a new three-book deal with Random House.
The New York Review of Books gets into the blog game with…well, it’s not a blog, exactly, but then I guess neither are we these days. With The Daily Beast and The Huffington Post also clamoring for the attention of bookish web-surfers, there’s more book-focused content online than ever. So why do I find most of it gives me a headache?
Julie Delphy‘s second film as writer/director/actress is released in Europe this month. The subject is 16th century Hungarian/Transylvanian countess Erzsébet Bàthory, known for murdering young girls to bathe in their blood and considered by some the first female serial killer. Judging from the trailer, Delphy’s film doesn’t appear to equal earlier visions of the Bloody Countess (French Surrealist Valentine Penrose‘s hallucinatory biography, for example, or Terry Gilliam‘s Mirror Queen (Monica Bellucci) in The Brothers Grimm).
Recommended Reading: Here’s some helpful advice we all could use — how to raise a mensch: “Less obvious but equally central values that Marjorie Ingall highlights include having a healthy distrust of authority. Jews come from a vertiginously long tradition of ‘questioning, yammering, challenging and disputing,’ she writes. ‘The Talmud, the compendium of Jewish law, is pretty much a bunch of dudes contradicting one another. Each page is a big box of text in the middle, and wrapped around it like a frame is lots of ‘Wait, you think what?’ '”
That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press’s Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there’s yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.