Congratulations to our longtime staff writer and contributing editor Garth Risk Hallberg, whose large first novel, City on Fire, will be published by Alfred A. Knopf.
Millions Staffer Hallberg’s Big Novel, Coming Soon
Killing History
Over at the Slate Book Review, Laura Miller gives Bill O’Reilly’s Killing series a fair shake. From Jesus to Reagan, O’Reilly and his cowriter Martin Dugard have killed off five famous historical “Great Men.” Despite claims of some dubious assertions having been made throughout the series, the books themselves have enjoyed tremendous commercial success.
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Big Little Lies
“Literature can use secrecy as a device to ensnare readers, to pull the wool over their eyes or to reveal to them things that the characters can’t see. Whether large – businessman by day, serial killer by night; or small – where a character silently yearns for an ex-lover.” Eli Goldstone compiles a list for The Guardian of 10 novels whose characters are concealing big secrets, including a few lesser-knowns like Shirley Jackson‘s We Have Always Lived in the Castle and New Finnish Grammar by Diego Marani.
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We’re Just Kids
Practically everyone with a pulse loves Patti Smith. Celebrate Sunday by listening to her speak about Virginia Woolf’s cane, Charles Dickens’s pen, and a few other literary talismans. Here’s a handy Spotify playlist which gathers every song from Smith’s award-winning memoir Just Kids.
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Tuesday New Release Day: Green; Simsion; Harrison; Israel; Enniss
New this week: Saving Grace by Jane Green; The Rosie Effect by Graeme Simsion; The Bishop’s Wife by Mette Ivie Harrison; The Global War on Morris by Steve Israel; and After the Titanic: A Life of Derek Mahon by Stephen Enniss.
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A Public Private Experience
“[S]he and her sister should not be affected by the riot. Riots like this were what she read about in newspapers. Riots like this were what happened to other people.” The Guardian runs ‘A Private Experience,’ a short story from Year-in-Reading alum Chimamanda Ngozi Adichie.
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Zadie Smith’s Big Week
Oh, look, the Paris Review freed Zadie Smith’s “Big Week” from the clutches of their paywall. (Bonus: you can subscribe to a dual subscription to both the Paris Review and the London Review of Books all summer long.)