Photographer Rose-Lynn Fisher uses powerful scanning electron microscopes to provide “an unexpected view of [a] familiar subject: … human tears.”
Microscopic Tears
at once impressionistic and profound
Rohan Maitzen on Virginia Woolf‘s literary criticism: “What—I can imagine her asking herself, as she writes about other novelists—am I doing, what else can I do, with the novel? Surely figuring this out was always, for her, the underlying project of her criticism.”
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It’s All a Game
As you probably read last week, Elon Musk (founder and CEO of Tesla Motors and SpaceX) is sure that we’re living in a computer-generated simulation. Over at The New Yorker, Joshua Rothman takes a hard look and tries to determine the actual odds of humans inhabiting a simulated world.
Strange Cults, Powerful Elders, and Other Features of Academia
Does this harrowing plot summary describe a critically acclaimed film of the 2010s, or does it describe your PhD program?
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Going Clear
“While guys spent time in these Seg cells calling out chess moves over the walkways or doing push-ups until their veins bulged from their temples, I was in my cell pecking away trying to create a different world for myself. Some kind of way I felt I could rewrite my future.” For The New Yorker‘s Page-Turner blog, Daniel A. Gross tells the story of the Swintec Corporation, the nation’s sole supplier of clear typewriters, whose largest market is prisons. Pair with our own Bill Morris on using his Royal to write.
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Colson Whitehead’s Voice Is Here to Stay
Colson Whitehead shares how he found his voice for his newest novel, Harlem Shuffle, and how it has evolved over time.
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Eleanor & Park on Screen
Our favorite teenage misfit couple is coming to the big screen. Dreamworks will adapt Eleanor & Park with Rainbow Rowell writing the script. Filming doesn’t begin until 2015, so you have plenty of time to read the book. Here’s our own Janet Potter’s review.
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