Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.
"If [Langston] Hughes and Cullen were competitors, of sorts, for the prize of principal African American poet of their generation, Cullen may have had an early lead, and during the later 1920s and early 1930s they were often discussed in tandem." At The Boston Review, Major Jackson takes a look at the career and legacy of Harlem Renaissance poet Countee Cullen.
It's good to see James Wood covering Richard Price in The New Yorker; and even better to hear Price himself on Fresh Air.And also from The New Yorker, may we recommend Dan Chiasson's wonderful essay on Frank O'Hara?Luc Sante's blog pretty much has to be good.Derek, the guy who got both Max and Garth started blogging in the first place, is taking part in a big group blog at the Washington Post covering the Nationals baseball team and its new stadium.With features like this reconsideration of The Gnostic Gospels, the New York Sun is quietly building what may be the country's best books section."Growing Up Radical: An Interview with Peter Carey" (via scott)"On Magic Feelism" - n+1 considers Kevin Brockmeier's The View from the Seventh LayerBoris Kachka profiles Jhumpa Lahiri in New YorkSurreal: "Garfield" minus Garfield. Alternatively, "Garfield" without Garfield's thought bubbles.Nobody knows if the Kindle is a hit, AP says, but something is happening.A book graveyard in Russia.Languagehat's specialty: a thoroughly edifying investigation of a phrase pulled out of thin air.American Book Review has developed their own lists of 100 Best Last Lines from Novels (PDF) and 100 Best First Lines from NovelsThe Boston Globe argues that Bringing Down the House, the basis for the new movie 21, is not a work of nonfiction.
In TNR, Ruth Franklin attempts to debunk the "strangely antiquated definition of American writing" posited in Dalkey's Best European Fiction anthology. (via)
Whether or not you knew that Rose Williams, sister of Tennessee, inspired the character of Laura Wingfield in The Glass Menagerie, you'll probably appreciate this Paris Review elegy, which goes through Rose's short life and the effect it had on her brother.
“All this is by way of saying that in the United States we haven’t got any actual royals, and yet almost the very first stories we hear are about princes and princesses, kings and queens. When a little American kid first learns that there is such a thing as real, live princes and princesses, who live in actual palaces, this is liable to come as a terrific shock, though in general a pleasing one. One would like it to be true; it’s a very nice idea, that there is such a thing as an incorruptible person for whom everything will — everything must — come right in the end.” Maria Bustillos on America’s fascination with royalty.