Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.
“REPORTER: You’ve reportedly conveyed to Judge Garland that if he comes knocking on your office door he’ll be wasting his time. But would you deign to meet with him somewhere off the grounds of the U.S. Capitol? Say, at a Starbucks? BARTLEBY: I would prefer not to.” This Bartleby, the Senator: A Story of Merrick Garland (not to be confused with the Bartleby, the Scrivener).