Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.
Master of Happy Scenes
Money Problems
Recommended Reading: Does commercial literature hurt literary fiction?
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Epic Fail
When did Samuel Beckett’s “fail better” become the motto of Silicon Valley? At Slate, our own Mark O’Connell traces the history of the phrase. “Fail Better, with its TEDishly counterintuitive feel, is the literary takeaway par excellence; it’s usefully suggestive, too, of the corporate propaganda of productivity, with its appeals to ‘think different’ or ‘work smarter’ or ‘just do it.'”
Old World Values
Henry James wrote a number of odd things about Jewish and Italian immigrants, but is it fair to call him a racist? In The New Criterion, Stephen Miller argues that it isn’t, recalling the time James spent with immigrants on the Lower East Side.
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Fighting the Taxman
Neighbor and sometime Millions humorist Jacob Lambert has published a piece in Philly Weekly on our street’s travails with the Board of Revision of Taxes (BRT). I was there and it was a stirring mix of city politics and journalism in action.
20th Century American Authors Exhibit
This month the Super Precious Gallery is displaying their “20th Century American Authors” exhibit, and it consists of thirteen pieces inspired by authors from the 1900s. Ten artists produced tributes to the likes of Kurt Vonnegut, Doris Lessing, Thomas Pynchon and—this being Tumblr—Charles Bukowski.
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