Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.
Master of Happy Scenes
How They Did It Before Sears
The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)
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Bard Bloomberg
Mayor Mike Bloomberg: billionaire, philanthropist, corn syrup’s nemesis, and… poet?
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The Perils of Being a Hermit
It might not be a good idea to tell this to bookish readers, but it looks like loneliness can kill you.
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eReaders Versus the Printed Page
PCWorld releases a study on whether the iPad and Kindle make for slower readers than the printed page. (via AuthorScoop)
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Amis and Larkin: Frenemies
n+1 editor Keith Gessen wrote the introduction to Kingsley Amis’s rereleased novel Lucky Jim, and the folks at The New Statesman were nice enough to share it with all of us.
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An American Tragedy
“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.
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Orange to withdraw sponsorship of woman’s fiction prize
Kate Mosse announced that Orange will no longer be sponsoring the prestigious Orange Prize for Fiction, given annually to the best work of English-language fiction written by a woman.
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