At The Rumpus, Sean Carman interviews Year in Reading alum Laura van den Berg, whose new novel, The Isle of Youth, came out last week. (ICYMI, Nathan Huffstutter reviewed The Isle of Youth for The Millions).
Magical Atmospheres
Filming in the Fourth Dimension
Guillermo del Toro’s next film will bring us to Tralfamadore. He is adapting Kurt Vonnegut’s Slaughterhouse-Five with Charlie Kaufman writing the script. “I love the idea of the Tralfamadorians to be ‘unstuck in time,’ where everything is happening at the same time. And that’s what I want to do,” del Toro told The Daily Telegraph.
●
●
Fathers and Daughters
A writer in her own right, Sybille Lacan reflects on her experience as the daughter of famous psychoanalyst Jacques Lacan. She writes, “Father, for our birthdays, would give us superb gifts (I believe it took me far too long to understand it was not he who had picked them out).”
●
●
Rebecca Hunt’s Mr. Chartwell
At The Washington Times, my review of Rebecca Hunt‘s Mr. Chartwell, a shaggy dog novel about Winston Churchill‘s “black dog” (depression).
●
●
Breaking the English Ceiling
This year’s Forward Prize went to the poet Jorie Graham, whose collection The Dream of the Unified Field won the Pulitzer in ’94. Graham is the first American woman to win the prize.
●
●
The Root of Fantasy
Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer’s Notebook II, published by the folks at Tin House. (Related: we published Harper’s editor Christopher Beha’s essay in the book last year.)
Tuesday New Release Day: Ali, Ritter, Mason
New this week is Monica Ali’s “what if” novel about Princess Diana, Untold Story. Also out is Bright’s Passage, an effort, which readers appear to be taking seriously, by singer-songwriter Josh Ritter to cross over into literary fiction. Finally, short story master Bobbie Ann Mason has a new novel out, The Girl in the Blue Beret.
●
●
What’s Wrong with a Readable Book?
There is a controversy brewing right now in Britain about readability and excellence in literature. Apparently, being “readable” is no longer a compliment.
●
●