Now this is one of the strangest things to happen at a concert in a while: M.I.A. kicked off her tour to promote her new album Matangi by getting Julian Assange to open for her at Terminal 5. The Wikileaks founder spoke to the audience via Skype.
Chloe N. Clark writes about magical reveals in fiction. As she explains it, “authors, like magicians, need to know when the best moment to pull back the curtain is.” Pair with this Millions essay on using light and a full palette of color to paint fiction.
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.
For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
“But migraines! Everyone relishes a migraine. They have a literal aura! Migraines foster the sort of pure narcissism that only intense, essentially benign pain can. We sufferers (that’s how it’s described, “migraine sufferer”) feel it is meet and right that the migraine should be dramatized in films like Pi or White Heat; this strengthens the perception that migraines are the hallmark of geniuses, or at least psychopaths. Joan Didion writes about them; of course she does.” Sadie Stein on the allure of the headache to end all headaches.