With texting and instant messaging perpetually on the rise, the world’s punctuation is starting to evolve. At The New Republic, Ben Crair identifies an odd new consequence of this change: the period is now a sign of anger.
Is It Now.
Get Outta Town, Pat Buchanan
“White Americans do not realize how black they are,” writes Andrew Sullivan at the Daily Dish. If, upon reading Sullivan, you find yourself questioning your racial identity, try the blog Stuff White People Like–sure, most of it is really stuff that dinks and yuppies like (class trumps race, as Walter Ben Michaels explains at the LRB), but it might help you brush up on the ways and loves of white folks: camping, pea coats, hating your parents, Wes Anderson, diversity, sushi, standing still at concerts…
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“Still full of ideas”
“Although comfortable with solitude, he admits: ‘I couldn’t write all the time. As a writer, you have to come out into the world. I don’t have a Salinger or a Pynchon impulse. There are so many things to do that are interesting.’” Talking with Ian McEwan.
Fun Home Coda
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
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Appearing Elsewhere
A slightly different version of my story “Salt Lick” (originally published in 2006, in the Los Angeles Times Magazine) is now at Flatmancrooked.
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Everyone’s a Critic
“A continuation of a book that has proved very popular seldom is successful, and we cannot say that we think Alice’s adventures by any means equal to her previous ones.” The Guardian digs up its original review of Lewis Carroll‘s Through the Looking Glass.
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Thirteen Poems
Check out thirteen poems by Lydia Davis in BOMB Magazine. You could also read Adam Boffa’s piece about Davis’s work and Twitter.
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