How would you respond if someone asked you, “If you walk into a liquor store to count the unsold bottles, but the clerk is screaming at you to leave, what do you do?” during a job interview? At The Morning News, Giles Turnbull tried to answer the weirdest job interview questions. His answer to the question: “What in the name of God would I be doing counting unsold bottles in a liquor store? Are you trying to fuck with my mind?”
The New Yorker has published the chapter of Salman Rushdie’s forthcoming memoir, Joseph Anton, that describes the circumstances of his life immediately after Ayatollah Ruhollah Khomeini, Iran’s spiritual leader in 1989, called for his execution by proclaiming a fatwā on the writer, after the controversial treatment of Islamic history and the Prophet Muhammad in The Satanic Verses. PEN American, by the way, accepts donations online.
New this week: The Age of Reinvention by Karine Tuil; The Burned Bridges of Ward, Nebraska by Eileen Curtright; Shock by Shock by Dean Young; The Selected Poems of Donald Hall; and On Cats by Charles Bukowski. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Jacob Silverman reviews two new novels – Note to Self and The More You Ignore Me – that “take on one incarnation of the Internet: the Internet as pathology” but ultimately fail to succeed “in exploring or critiquing digital life with any authority.” He notes that “like any technology, [the Internet] has to be shaped for the purposes of literature.”
VQR has published an essay by Chris Fischbach of Coffee House Press that provides an overview of some of the innovative small presses at work today. Fischbach specifically mentions Tin House, Melville House and Two Dollar Radio as “nimble” publishing houses that “can try things big publishers might not find worthwhile or consistent with the aims of a traditional publishing program,” such as producing micro-budget films or illustrated versions of classic works of literature.
“It’s interesting to me now how many lawyers I’ve published. There’s something about the retelling, the assembling of a logical arc, about planting the clues and so forth that is believable and compelling. There’s a similarity in the way your mind needs to work, too. The logical progression of the narrative, the planting clues, the revelations and also just imbuing it with the emotional truth of the moment. That’s what a fiction writer has to do.” An interview with editor and literary gatekeeper Lee Boudreaux.