A couple months ago, I linked to a new Granta series in which authors select one of their own first sentences and recall how they came to it. This week, Patrick French explains the first sentence of a nonfiction piece titled “After the War” (available in Granta 125) by digging up an old photograph that shows how the Edwardian English were “stitched and machined into a grid of expectations.”
"In a genre that has long been dominated by white men and Western mythological tropes, Ms. Okorafor’s stories, which feature young black girls in starring roles as superheroes and saviors of humanity, have been hailed as groundbreaking." The New York Times shines a spotlight on Nnedi Okorafor and other African American science fiction and fantasy writers building on -and popularizing-a tradition of African and African American folklore in the sci fi and fantasy genre.
“We have all heard the claim, ‘the victors write the textbooks.’ Among the many ways to unpack the phrase is this: that once upon a time history was bound to and relied on communally agreed upon facts. That is to say, there was not a culture of record the way there is now. There were not cameras and photographs capturing all human movement or digital archives where information was stored in 'clouds.' While our methods for remembering have evolved, the ethical question at the heart of recollection remains: how do we tell about the past and who gets to tell it?” Lindsey Drager writes for the Michigan Quarterly Review about memory and storytelling.
John Wilmot, second Earl of Rochester, was a dear friend (even protégé) of King Charles II. He was also a sharp-tongued poet who called out the same King on his bedroom behavior: "His sceptre and prick are of a length; / And she may sway the one who plays with th’other."