Hidebound

November 5, 2013 | 1 book mentioned

A couple months ago, I linked to a new Granta series in which authors select one of their own first sentences and recall how they came to it. This week, Patrick French explains the first sentence of a nonfiction piece titled “After the War” (available in Granta 125) by digging up an old photograph that shows how the Edwardian English were “stitched and machined into a grid of expectations.”

is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

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