Among Haruki Murakami’s many significant literary achievements is the fact that the author has – since the 1990s – become “responsible for triggering and fueling the Japanese literature boom in South Korea.” Indeed, by “creat[ing] bonds of shared emotions and literary sensibilities among tens of millions of people with different cultural and historical backgrounds,” writes Yoon Sang-In, “Murakami’s literary works have emerged as a great cultural asset that contributes to stability in [the East Asian] region.” (Bonus: Murakami’s latest book – which will be published in the States in 2014 – is flying off the shelves in Japan.)
“My goal isn’t soft multiculturalism, but rather to convey a richer and fuller sense of what literature is, what the possibilities are, and to share the voices that often get excluded or silenced when we speak of ‘literature’ and ‘writing.’” Guernica interviews Counternarratives author John Keene.
“In Proust’s case, I think he helps us to see the world as it really is, not only its extraordinary beauty and diversity, but his observations make us aware of how we perceive and how we interact with others, showing us how often we are mistaken in our own assumptions and how easy it is to have a biased view of another person.” William C. Carter makes an argument as to why we should still read Proust. Our own Hannah Gersen has started a Proust Book Club.
“America has always been built—and continues to be built—by those the establishment keeps invisible.” Public Books runs the sixth installment of its “An Engineer Reads a Novel” series, this time taking on Colson Whitehead‘s Underground Railroad and John Henry Days. We also recently reviewed the former, which has been blessed by both Oprah Winfrey and President Obama.
How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. “Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank.” Pair with: Larsen’s essay on the power of the infographic.