Recommended Reading: this interview with poet Lucie Brock-Broido, whose new book Stay, Illusion is a finalist for the National Book Award.
“Give things away”
Poetic Pugilists
For anyone searching for some weighty longreads about the current state of poetry, look no further than the lively (and longwinded) debate between Matvei Yankelevich and Marjorie Perloff sparked by the latter’s piece, “Poetry on the Brink.”
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Como?
Here at The Millions, we tend to focus on translation as a literary form, which often leads to debates over how much a translator can change the meaning of a text. However, the majority of translation in the world is far more functional, as it is in the case of basic European bureaucracy. In The Nation, Benjamin Paloff takes a broader look at movements from one language to another. Pair with: Barclay Bram Shoemaker on translating Mo Yan’s Frog.
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Emotional Reading
Very important: what food says about literary characters.
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The End of the Rainbow Room
Is the end nigh for the famed Rainbow Room? Well, if it is, it’ll live on through passages like this one from Alvin Levin’s Love Is Like Park Avenue.
Carving Out a Legacy
Recommended Reading: On Raymond Carver’s birthday, his brother James stopped by Electric Literature to share his memories of what it was like growing up with the man behind such works as Will You Please Be Quiet, Please and What We Talk About When We Talk About Love.
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Les Cousins Dangereux
Downton Abbey, meet Arrested Development: Arrested Downton. Speaking of the stunningly popular Downton, The Missouri Review is having a “non-contest;” enter by channeling the voice of your favorite author to describe the world of the show. Our own Garth Risk Halberg might be able to help you out, with his essay on Downton‘s literary pedigree.
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Waxwing Debuts
Waxwing, a new literary journal, has published its first issue online. The journal’s editors state that their mission is “to include American writers from all cultural identities — in terms of race, ethnicity, indigenous tribe, gender, class, sexuality, age, education, ability, language, religion, and region — alongside international voices, published bilingually.”