For whatever reason, pop music (at least in the Western world) displays an inordinate fascination with people who die at a young age. At The Atlantic, Leah Sottile takes a look at our collective fixation on the mantra “Live fast, die young.”
Michael Cunningham, who alongside Maureen Corrigan and Susan Larson sat on the jury of the Pulitzer Prize for for fiction, gives the clearest account yet of how the award process works and defends the three shortlisted titles. His letter is in two parts, he also addresses the function of judgment and begins to build a poetics of literary greatness.
According to the Times, The Guardian and other sources, Things Fall Apart author Chinua Achebe has died. Last October, we published a review of his final book, There Was a Country, which you might want to reread as a first step to considering his legacy. (You could also check out our piece on Things Fall Apart.)
To celebrate the 80th birthday of Kirkus Reviews, the editorial staff is holding a contest in which the grand prize winner gets a literary tour of New York City. This includes “two round-trip tickets to Manhattan, two nights’ stay at the Library Hotel, two passes to the Greenwich Village Literary Pub Crawl, gift certificates to several of the city’s finest independent bookstores, breakfast at a round table at the Algonquin Hotel, and dinner at Public in SoHo.”
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
“The greatest mistake the American writer ever made was asking everybody else what they thought of their writing. Look around your current writing workshop. Look right and left. Most of those people will stop writing. Because it’s too hard, they have no ideas, no one understands them, whatever. A few of those failed people will become editors. These are the only people in the room who should ever really matter to you.”
The 2017 Hugo Award winners were announced in Helsinki, reports io9. For the second year in a row N.K. Jemisin came away with the best novel prize for her latest, The Obelisk Gate, and Ursula K. Le Guin (whom we interviewed a few years back) took “best related work” for her collection Words Are My Matter: Writings About Life and Books, 2000-2016.
David Orr investigates the day jobs of some modern poets, and notes “the university job is a relatively recent development in Anglo-American poetry.” Indeed, as this playful illustration from Incidental Comics makes clear, poets have engaged in a wide array of salaried jobs – from pediatricians to bank clerks to diplomats. Previously, we took a look at writers and their day jobs, too.