Audio for over 10,000 events – including concerts, poetry readings, and public interviews – is being made available on the 92nd Street Y’s new digital archive. Among the treasures in the trove are readings by Tennessee Williams, Vladimir Nabokov, and Susan Sontag. (Thanks Andrew.)
“The books that I remember best are the ones I stole in Mexico City, between the ages of sixteen and nineteen, and the ones I bought in Chile when I was twenty, during the first few months of the coup.” The New York Review of Books Blog posts an essay by — you guessed it — Roberto Bolaño.
“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
“Two writers guard an archive. One writes Fiction; the other writes Fact. To get past them, you have to figure out which is which.” Recommended reading: The New Yoker‘s Jill Lepore attempts to trace the “long-lost story of the longest book ever written,” Joe Gould‘s The Oral History of Our Time.
Andrew Hazlett discovers that following the keyword “humanities” on Twitter is not the best way to keep tabs on the discipline.
Book trailers are one thing, but what’s a literary short film? According to Red 14 founders Adam Cushman and Mike Sandow, “it’s not advertising a product; it gives a cinematic glimpse into the book, one which will ideally make the viewer interested in learning more about the author, the author’s current book, and the author’s past and future work.” Together, the pair has launched a Kickstarter campaign to fund four such films about four worthy titles (Matt Bell’s awesome debut novel among them).