Audio for over 10,000 events – including concerts, poetry readings, and public interviews – is being made available on the 92nd Street Y’s new digital archive. Among the treasures in the trove are readings by Tennessee Williams, Vladimir Nabokov, and Susan Sontag. (Thanks Andrew.)
It turns out even a museum exhibit of Shakespeare’s works can make for a dramatic experience. At The Daily Beast, Helen Anders demonstrates that there's a little bit for everybody at the “Shakespeare in Print and Performance” exhibition at the University of Texas. We’ve brought you a bit on the Bard before.
David Foster Wallace has become an American legend in his own right, so it makes sense that he'll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky's Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?
Apocalyptic literature is nothing new, but it may, according to Grayson Clary, be entering a new era. In Bookforum, he argues that Benjamin Percy’s The Dead Lands ushers the genre into its mannerist phase. Sample quote: “The Dead Lands is really the stripped, buffed skeleton of a road story, set up to show off—attractively—an enormous quantity of decorating tropes.” You could also read our interview with Percy.
How do you describe the life and times of John Horne Burns? He was in turn a military intelligence officer, a schoolteacher, a critical darling after he published The Gallery, a pariah after he published anything else, and a gay man in post-WWII America. In characteristic concision, Ernest Hemingway summed the whole thing up thusly: “There was a fellow who wrote a fine book and then a stinking book about a prep school, and then he just blew himself up.”
Out this week: The Laughing Monsters by Denis Johnson; Let Me Be Frank With You by Richard Ford; Mermaids in Paradise by Lydia Millet; Ugly Girls by Lindsay Hunter; Twilight of the Eastern Gods by Ismail Kadare; A Map of Betrayal by Ha Jin; Something Rich and Strange by Ron Rash; and Shark by Will Self. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.