In a long investigation of Hunter S. Thompson’s classic essay, “The Kentucky Derby Is Decadent and Depraved” (PDF), Josh Roiland takes readers to church by pointing out exactly what’s so alluring about the piece, which “scholars often point to … as the origin of Gonzo Journalism.”
On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak’s work and Zadie Smith’s books is a fact of Turkey’s shifting cultural values rather than plagiarism: “Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more.” For a bit of context, here’s Lydia Kiesling’s rundown of the initial scandal.
Thanks to her new book, Lydia Davis is getting a lot of well-deserved attention, including an interview with Salon this week. In conversation with Brendan Matthews, she reflects on her “letters of complaint,” her habit of juggling multiple projects and the effects of translating Proust on writing emails.
In a long tradition of online experimentation, Amazon has now started including something called “Shopping-enabled Wikipedia Pages” in its internal search results (see the second result here). Now you can view a copy of Wikipedia pages for authors like David Foster Wallace, J.K. Rowling, Jonathan Franzen, and probably thousands of others. How can Amazon do this? Wikipedia pages are free for anyone to reuse for almost any purpose, so long as the license info is displayed. Why is Amazon doing this? It wants free content that it can monetize.
“In the silence, there is solitude. In the solitude, there is silence. This is the whole point of technology. It creates an appetite for immortality on the one hand. It threatens universal extinction on the other. Technology is lust removed from nature.” Don DeLillo, author of White Noise, “reviews“ Taylor Swift‘s white noise for The Atlantic.
“We envision a library full of blood,” reads the “About” section of the Black Cake Records website. “We want the very best blood, & we want it everywhere.” Intrigued? You should be. The project, begun in 2013, serves as “a forum for producing & disseminating audio archives of contemporary poets reading their work.” For an introduction, you can start with “Trench Mouth” by Danniel Schoonebeek, whose debut collection, American Barricade, was published last month by YesYes Books.