All six of the forthcoming films previewed by The Week’s Kerensa Cadenas look outstanding, but of particular relevance to Millions readers is The Invisible Woman. The film, which is an adaptation of Claire Tomalin’s biography of the same name, follows the life of Ellen “Nelly” Ternan (Felicity Jones), an actress who met Charles Dickens (Ralph Fiennes) and became his secret mistress.
This is exciting: Roxane Gay’s debut novel An Untamed State is headed for the screen. Gina Prince-Bythewood will direct and Gugu Mbatha-Raw will star in the film adaptation of Gay’s novel, which tells the story of a Haitian-American woman captured for ransom in front of her husband and child. Check out this Millions review of the book to get a better sense of just how great it is.
Over at ZYZZYVA, Christian Kiefer talks to playwright Octavio Solis and novelist Scott Hutchins about the craft of writing and the difference between writing plays and writing novels. “It takes a huge amount of hard labor, man, to harness the forces that we are using to make our stories. They may emerge whole cloth out of our need to know how we operate as humans, but they’re often clumsy unfinished beasts.” Kiefer’s new novel, The Animals, is one of the most anticipated books of 2015.
“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
Everybody lies, or so the saying goes. But how long have we known this was true? At Slate, Katy Waldman reviews a new history of lying, delving into the knotty philosophy behind efforts to excuse deceit. You could also read our own Edan Lepucki and Janet Potter on deceit as it pertains to Gone Girl.
Recently, we featured five writers’ reminisces about the novels they ultimately shelved. Here a sixth, Elmo Keep, explains what led her to throw away her first novel, quite outside considerations of craft:”I could not resolve the conflict of a story that was not mine.”