All six of the forthcoming films previewed by The Week’s Kerensa Cadenas look outstanding, but of particular relevance to Millions readers is The Invisible Woman. The film, which is an adaptation of Claire Tomalin’s biography of the same name, follows the life of Ellen “Nelly” Ternan (Felicity Jones), an actress who met Charles Dickens (Ralph Fiennes) and became his secret mistress.
Charles Dickens’s Mistress
“He’s like a Shakespeare.”
How do you “challenge Muslim stereotypes” in film? Add more white actors. The director of a biopic about 13th-century Sufi poet Jalaluddin al-Rumi hopes to have Leonardo DiCaprio and Robert Downey Jr. star in the film.
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Say It Loud
At Longform, you can find a nifty old essay, originally published in 1990 in The Missouri Review, in which Mark Costello and David Foster Wallace pay a visit to a pioneering rap studio.
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Curiosities: Inside and Outside the Beltway
From one muckracker to another: Thomas Frank on Mailer and Miami.Fear and Loathing at Build-a-Bear WorkshopThe folks at n+1 on Obama and the culture war reduxSarah, the book, nibbles at the edges of Amazon's Top 10, sparking its own kind of culture war in the reviews section (scroll down)Can Palin! The Musical be far behind?A new tool for mapping bookstores, chain and indieFor Salvadoran novelist Horacio Castellanos Moya, politics are a genetic burdenFrank O'Hara...yeah, New York will do that to youJonathan Yardley on the venerable Elements of StyleDon't blame me...I voted for Kodos
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Weird: France & Belgium
Recommended recommendations: Weird Fiction Review has compiled a list of notable "weird" French and Belgian writers.
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“Life, friends, is boring”
“These were not like other poems: within their consistent 16-line armature they were turbulent, mad, feverish, cryptic, an unruly union of boppy jive-talk, and thorny quasi-Elizabethan diction. It was impossible to tell who was speaking, or to whom; poems ended in mid-syllable, bristled with random phrases in foreign languages, sported menacing-looking accent marks and Shakespearean contractions, were riddled with ampersands and ellipses.” At The Rumpus, a memory of falling in love with The Dream Songs (which happens to nicely complement a piece we published back in April).
Invisible Women
On middle-aged women’s struggle for visibility.
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The People Hath Spoken
Is it possible to figure out Shakespeare's politics from his plays? At the very least, there's a lot we can learn.
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The Future
Forget apps, forget tweets, forgo the digital all together - how about magazines as performance art?
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