Because internet we have a new preposition. Yes, that’s right the word “because” is no longer a mere subordinating conjunction but also a preposition. We challenge someone to write an entire short story with this preposition or at least a poem because literature.
Are we now living in a golden age of the uncanny? The Millions contributor Porochista Khakpour suspects that we are, and she also suspects that our historical moment, populated as it is with alienating developments and surreal art, is key to understanding the work of Helen Oyeyemi. In the Times, Khakpour reviews Oyeyemi’s new novel. (You could also read both writers’ Year in Reading pieces.)
Alexandra Kleeman’s debut novel includes, among other discomfiting things, a series of fake advertisements for surreal women’s beauty products. The plot, which follows a proofreader named A, begins with the main character’s attempt to evade her roommate, and eventually brings A to join a “Church of Conjoined Eaters.” At Slate, Molly Fischer argues the book deftly captures our society’s weird treatment of femininity.
If you can’t sit through a 20-minute reading, this one’s for you. Even Dostoevsky hated literary readings. As his narrator puts it, “Generally I have observed that at a light, public literary reading, even the biggest genius cannot occupy the public with himself for more than 20 minutes with impunity.” Pair with this Millions essay on the lively and maybe lost art of the literary reading.
In the New York Times, Mokoto Rich highlights the superfluousness of book covers in the digital age and the marketing challenges that result. cf. “Ether Between the Covers: Gifting Books in a Digital Age.”
The essay is more than just a literary genre but a lifestyle, and it’s dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.
The New Yorker’s book blog continues to host “Questioningly,” a so-called Twitter game show. The most recent installment featured the imagined Facebook status updates of literary figures, and was hosted by Ben Greenman. Who, might I add, is on a roll these days over at McSweeney’s Internet Tendency too.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”