Recommended Reading: an excerpt from Wells Tower’s short story, “The Dance Contest” which is fully available in the latest issue of McSweeney’s.
At Thep Moob Men’s Prison
Visionary, Part Deux
“A chemist colleague of mine runs a seminar in which art and science are brought together. And one such session was devoted to olfaction. And there was an olfactory physiologist from Columbia and a friend of his, a parfumier. Forgive my French accent. And the parfumier had made something unlike anything ever encountered on earth. And it had a very strong smell which aroused no associations and could not be compared to anything. One realized this was absolute novelty.” The Rumpus interviews Oliver Sacks about his new book, Hallucinations.
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Kerouac Returns to the Big Screen
This November, moviegoers can catch an adaptation of Jack Kerouac’s Big Sur (trailer here). Do you think it looks better than last year’s cinematic version of On the Road (trailer here)?
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Come On, Karma
From Nurse Ratched in One Flew Over the Cuckoo’s Nest to George Wickham in Pride and Prejudice, here are five of the most annoyingly unpunished characters in all of literature. Can we petition to have Daisy Buchanan (The Great Gatsby) added to this list?
A Reading and Conversation with Four Great Writers
For writers, and readers, who aren’t making the annual pilgrimage to AWP, The Millions and Big Other join forces this weekend to offer a NYC alternative, A Reading and Conversation with Four Great Writers: Vijay Seshardi, Rachel B. Glaser, Alexandra Chasin, and (our very own) Sonya Chung. At Unnameable Books in Brooklyn on Saturday, starting at 5pm. Drinks will be served. Please Join Us!
Those Silly Bloggers
NYC restaurateur Gabriel Stulman of Little Owl and Joseph Leonard says, “I’m turned off by how people are dining now in this blog-inundated world. Everyone wants to dissect and overanalyze their food and take pictures of it.” (via, thx Emre)
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“Deceptively spare”
“The art style also changes from chapter to chapter — some panels fill the pages to the edges and are overwhelming in their dark palette; some seem ordinary in proportion, confident; others fill the space around small figures with words, words, words; and others still have a minimalist, sketch-like quality and barely occupy the page at all — and they aren’t always chapters, or even stories, in the traditional sense.” On MariNaomi’s Dragon’s Breath and Other Stories.
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