Columbia once moved its twenty-two miles of books by sending them down a really, really long slide. As The Paris Review documents, in 1934, the university stocked its then-new Butler Library with a slide that ran from Low Library to the new building. (No word on whether the slide is secretly used to this day.)
Academic Playground
Sarah Ruhl brings Elizabeth Bishop and Robert Lowell to the stage
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)
Questions of Travel
Elisa Wouk Almino writes for Hyperallergic about her search for a home in Elizabeth Bishop’s poetry of estrangement. As she explains it, “Over time, I’ve found that home is not always attached to place.” Pair with this meditation on Bishop’s poetry.
●
●
A Century of Cheever
Allan Gurganus commemorates the 100th anniversary of his teacher and friend John Cheever’s birth. “Cheever, now unfairly known as the gloomy, sodden satyr of suburbia,” Gurganus writes, “was at least rarely gloomy. Fact is he was more fun per minute than is legal in a nation this Republican.”
●
●
Henry Miller: Asleep and Awake
The documentary about Tropic of Cancer author Henry Miller, Asleep and Awake (NSFW), was filmed almost entirely in Mr. Miller’s bathroom. The filmmakers, according to the folks at Open Culture, “use[d] these bathroom walls as a gateway into his mind.”
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
“The internet breeze”
To celebrate National Poetry Month, McSweeney’s is publishing daily haikus by the poet Dan Chelotti.
Fini
Recommended Reading: Colm Tóibín reads a new French novel, The End of Eddy.
●
●
My Life
Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, Professor Julie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.
●
●
So the Low Library was inaptly named…