What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.
A Malpractitioner By Any Other Name?
The Future Is Near
Wallace Shawn has written a new play, and it’s unsettling to watch. In it, a group of wealthy, middle-aged party hosts reveal their roles in a dystopian future, where political murders, random beatings and censorship are all commonplace. In an essay for The New York Review of Books, Francine Prose reviews the play in the context of Shawn’s other works.
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“What is your useful skill in a tangible situation?”
First there were cupcakes, then donuts, and now toast. At The Pacific Standard, John Gravois discovers the surprisingly emotional and personal reason for why toast is the latest artisan food trend.
Emily St. John Mandel on the Cyclical Nature of Pandemics
Our own Emily St. John Mandel on her 2014 novel: "I think the unfortunate reality is that every few years Station Eleven will seem horribly relevant."
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The New Republic’s New Reader
The New Republic, which was recently acquired by Facebook co-founder Chris Hughes, has started a super clean, neat little news reader.
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Charles Dickens, True Crime Fan
During a bout of insomnia in 1851, Charles Dickens decided to shadow a new addition to the London police force: detectives.
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Is there a rising star among you?
The Ashmead Award is presently accepting nominations, so if you know an exceptional young editor it may be time to break out the letterhead.
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Truthiness and the Realish
Now that NPR has begun fact checking his work, it’s come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is ‘realish.’ So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.
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