Not every Craigslist ad is noteworthy, but this property listing, titled “Gorgeous Rural Mountain Acreage” and hailing from Kentucky, is a notable (and sobering) exception. Full-Stop republished the whole thing, which includes warnings that “bears are known to be about” and “beautiful water seeps.”
“A history of fire flooding and water flooding”
JJS on Seidel
“Seidel scared himself with poetry, and us too. How had he done it?” John Jeremiah Sullivan presented the Hadada Award to Frederick Seidel at The Paris Review’s Spring Revel last month. You can read the full text of his speech and three of Seidel’s poems. This seems to be a much better week for Sullivan because he also just won the James Beard Foundation’s MFK Fisher Distinguished Writing Award for his essay “I Placed a Jar in Tennessee.”
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The End of the Beat Generation
The “grande dame of the Beat Generation” has died at age 90. Carolyn Cassady passed away last Friday near her home in England. She was the inspiration for Camille, Dean Moriarty’s overburdened second wife in Jack Kerouac’s On the Road. Yet Cassady was a writer in her own right and published two books, Off the Road and Heart Beat: My Life With Jack and Neal, about how the Beat Generation was misunderstood.
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Amis and Larkin: Frenemies
n+1 editor Keith Gessen wrote the introduction to Kingsley Amis’s rereleased novel Lucky Jim, and the folks at The New Statesman were nice enough to share it with all of us.
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140 Characters or Less
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Beauty In Things Exists
Recommended Reading: On Scottish philosopher David Hume and cultivating an effective philosophy which “understands the world in which it operates.”
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Tarantino on Writing
Say what you want about Quentin Tarantino; the man thinks like a writer. You can hear him doing so out loud on the current episode of KCRW’s The Treatment, with Elvis Mitchell.
Women at War
From The Things They Carried to Billy Lynn’s Long Halftime Walk, veteran literary fiction has always been popular, yet women are almost nowhere to be found in war literature. At The New York Times, Cara Hoffman argues that leaving women out of combat literature makes returning from war even more isolating. “They would be made visible if we could read stories that would allow us to understand that women kill in combat and lose friends and long to see their children and partners at home.”
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