Eleanor Catton has been getting a lot of press for being the youngest author ever to win the Man Booker prize, but she claims that the new fame is a mixed blessing that often brings up sexism. “In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are – about luck and identity and how the idea struck them,” she told The Guardian.
Recommended Reading: An excerpt from Nobel Prize winner Svetlana Alexievich’s Voices from Chernobyl: The Oral History of a Nuclear Disaster at n+1. Read more about Alexievich at The Millions.
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
“[I]t becomes an act of subversion, an act of catharsis.” Plougshares has a piece about the Lolita aesthetic on Tumblr. See also: our conversation with John Gall who, as art director for Vintage and Anchor books, was responsible for at least two Lolita covers, not to mention the redesign of the entire Nabokov catalog.
“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.