Eleanor Catton has been getting a lot of press for being the youngest author ever to win the Man Booker prize, but she claims that the new fame is a mixed blessing that often brings up sexism. “In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are – about luck and identity and how the idea struck them,” she told The Guardian.
Winning Women
Murakami on 1Q84
A blogger translates a long Murakami interview about 1Q84 (scroll down for parts I, II, and III). (via)
“In the distance, a low rumble. A train?”
Barrelhouse editor Dave Housley wrote a “Commercial Fiction” piece for Hobart’s website about the “trippy magical realism” in Coors Light advertisements. You know what that means, right? People all over the world! Join hands. Start a love train. (Love train.)
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Illustrated Goethe
At The Rumpus: illustrations by Harry Clarke for a 1925 edition of Goethe’s Faust.
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Annals of great profile writing
If you’re looking for some midweek longreads, here are two excellent profile pieces: Emily Nussbaum‘s unabashed enthusiasm for Lena Dunham as HBO’s Girls gears up for release, and Adam Sternbergh on Mark Leyner, whose The Sugar Frosted Nutsack is out today.
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Love Letters to Walt Whitman
Maria Popova over at Brain Pickings recounts the enduring epistolary friendship—one that often bordered on infatuation—between Anne Gilchrist and Walt Whitman.
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“Twenty feet above sea level”
In his recent collection of poetry, The Americans, David Roderick examines the spaces in which Americans make their homes, calling on his readers to view them in the context of American history. At The Rumpus, Brian Simoneau reviews the collection, which he says illuminates some of his own odd feelings about moving from Boston to Connecticut.