What’s better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
Up to Scratch
They Really Get Me
For an invigorating jolt of proletarian/genetic bitterness, The New York Times has a “New Victorian” fashion slide show, featuring a selection of gentlemen with admirable bone structure, all in thousand-dollar cutaway coats and plaids and things.
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Kanye West, Philosopher + Author
Kanye West is back on Twitter. And in literary news, he’s decided to write a philosophy book, Break the Simulation and publish excerpts (or maybe the entire thing) on Twitter. There appears to be no release date or publisher attached so stay tuned.
Tuesday New Release Day
The new release schedule is slowing down as the holidays approach, but David Foster Wallace fans can now get their hands on his undergraduate thesis, packaged by Columbia University Press as Fate, Time, and Language: An Essay on Free Will.
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“I don’t remember any of these pages.”
“Audiobooks Read By You: Just like reading a book without actually reading a book, by reading a book and recording it in a studio.”
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“If there was ever a people that knew how to handle a hangover, surely it is we.”
John Banville looks at the “persistently grim cheerfulness” of the Irish people.
The Lost Books
Over at NPR, Parul Sehgal recommends five books “that have been restored to us, that have been reissued, reimagined or — in one instance — presumed lost and discovered for the first time.”
Documenting Death
“Maurice Sendak drew his partner Eugene after he died, as he had drawn his family members when they were dying. The moment is one he was compelled to capture, pin down, understand, see. Where many— maybe most—people look away, he wanted to render. He was very wrapped up in the goodbye, the flight, the loss; it was almost Victorian, to be so deeply entranced with the moment of death, the instinct to preserve or document it. It’s also the artist’s impulse: to turn something terrible into art, to take something you are terrified of and heartbroken by and make it into something else. For the time it takes to draw what is in front of you, you are not helpless or a bystander or bereft: You are doing your job.” On Maurice Sendak and the art of death.
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While I think Franzen is a fine, fine writer, and there is much to be emulated in how he conducts himself, I can’t think of anyone worse to get advice from re: how to make it as a writer. Franzen has never had a day job, has no idea what it means to struggle, and has been a relative success since he was in his mid-20s. That’s like asking Ryan Gosling for tips on how to make it when you’re struggling as an actor. They know not of what they speak.