What’s better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
Up to Scratch
New Elmore Leonard Stories on the Way
Jennifer Schuessler reports that a book of unpublished Elmore Leonard stories will be published in 2015. In 2010, our own Bill Morris touched on one element of what made Leonard’s writing so special.
The Great American Novel
How it all got started: in 1868, The Nation published an article by John William De Forest titled "The Great American Novel." (via American Literary blog).
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You Do the Math
This week we learned Gary Shteyngart is at work on a memoir. This week is also when the annual Dachshund Spring Fiesta takes place in Washington Square Park. Has viral marketing reached its nadir?
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The Pandora of Books
In The Atlantic, Johnathan A. Knee writes about how curation and aggregation can be more profitable than content creation. That is the idea behind BookLamp, a new search engine based on books' content and writing style, not sales data. “At times, being able to ignore the marketing data can be good for the recommendation,” explains CEO Aaron Stanton.
Indigenous Peoples Day
Many people, cities, and states recognized Indigenous Peoples Day instead of Columbus Day on Monday. The New Inquiry takes a look at indigenous history in America. Pair with our review of Laila Lalami’s The Moor’s Account, which “underscores the notion that history often dismisses crucial voices.”
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While I think Franzen is a fine, fine writer, and there is much to be emulated in how he conducts himself, I can’t think of anyone worse to get advice from re: how to make it as a writer. Franzen has never had a day job, has no idea what it means to struggle, and has been a relative success since he was in his mid-20s. That’s like asking Ryan Gosling for tips on how to make it when you’re struggling as an actor. They know not of what they speak.