What’s better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
Litographs is a Massachusetts-based company that uses literature as inspiration for their designs. The text becomes the basis for the design. (Check out this example for Alice’s Adventures in Wonderland.) They’re launching a new Kickstarter campaign on Tuesday in which you can make a custom Litograph with whatever text you want. Pretty cool, right?
“My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort.” Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
At the Fiction Writers Review, Robin Black sits down with contributor and Year in Reading alumna Nichole Bernier. The two discuss, among other things, Bernier’s new novel, The Unfinished Work of Elizabeth D., as well as novels in which lengthy sections feature characters reading journal entries. (Bernier calls them “funhouse mirrors.”)
Lots of new releases this week, among them a new paperback edition of Tenth of December by George Saunders. Also out: Leaving the Sea by Ben Marcus; The Radiance of Tomorrow by Ishmael Beah; On Such a Full Sea by Chang-rae Lee; The Scent of Pine by Lara Vapnyar; The Invention of Wings by Sue Monk Kidd; The Secret History of Las Vegas by Chris Abani; and Little Failure by Year in Reading alum Gary Shteyngart. For more on these and other new titles, check out our Great 2014 Book Preview.