What’s better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
Up to Scratch
Prufrock in Panels
Recommended Viewing: Julian Peters illustrated T.S. Eliot’s “The Love Song of J. Alfred Prufrock” as a comic.
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The Future is Now
The various issues that were delaying the ebook release of The Late American Novel: Writers on the Future of Books have finally been resolved (ironic, I know). The book is now available for Kindle, Apple devices and assorted other e-readers. Enjoy!
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Your Lowest Depths of Misery?
“In 1865, Karl Marx confessed that he considered his chief characteristic ‘singleness of purpose,’ and that his favorite occupation was ‘bookworming.’ Five years later, Oscar Wilde wrote in an album called ‘Mental Photographs, an Album for Confessions of Tastes, Habits, and Convictions’ that his distinguishing feature was ‘inordinate self-esteem.'” Over at The New Yorker, take a look at how Marcel Proust’s questionnaires inspired a generation of question-by-by-question introspection.
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Good News
What accounts for the incredible popularity of Chicken Soup for the Soul? The inspirational book series has continually sold well since the first volume was published in 1993. At Slate, Katy Waldman investigates its appeal.
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Writing Is a Dangerous Pursuit
“We might not win. And yet we have to commit ourselves to the struggle, because there’s nothing else besides struggle.” Toni Morrison talks about literature and activism with Ta-Nehisi Coates and Sonia Sanchez.
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Stephenie Meyer’s Body Snatchers
A mini-excerpt from Stephenie Meyer‘s bestseller for adults, The Host, just out in paperback.
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Steve Jobs’s Big-Screen Biopic
After buying the rights to Walter Isaacson’s authorized biography, makers of The Social Network plan a big-screen biopic of Steve Jobs’s life.
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While I think Franzen is a fine, fine writer, and there is much to be emulated in how he conducts himself, I can’t think of anyone worse to get advice from re: how to make it as a writer. Franzen has never had a day job, has no idea what it means to struggle, and has been a relative success since he was in his mid-20s. That’s like asking Ryan Gosling for tips on how to make it when you’re struggling as an actor. They know not of what they speak.