Though Mark Twain first gained notoriety after publishing an essay about a famous jumping frog, the onetime Samuel Clemens didn’t really hit his stride until he became a public speaker, as the money he accrued from reading in front of audiences gave him a steady source of income. At Salon, Ben Tarnoff recounts Twain’s journey to the podium, one laid out more broadly in Tarnoff’s book about a group of San Francisco writers.
New this week is Nobel Laureate Orhan Pamuk's Silent House. Also hitting bookshelves are Heroines by Kate Zambreno, The News from Spain by Joan Wickersham, and more posthumously published work by Kurt Vonnegut. In non-fiction, there's There Was A Country: A Personal History of Biafra by Chinua Achebe and Short Nights of the Shadow Catcher, National Book Award and Pulitzer Prize-winner Timothy Egan's biography of Edward Curtis.
A Visit from the Goon Squad by Jennifer Egan drops today. Our review. Also out recently are Walks With Men, a novella by Ann Beattie, and The Particular Sadness of Lemon Cake, a novel from Aimee Bender. This week also sees the long-awaited posthumous publication of Henry Roth's An American Type. Another recent posthumous publication: Robert Walser's mysterious Microscripts.
A Columbia University course that has taught generations of bright-eyed would-be Maxwell Perkins the ins and outs of the New York publishing biz has had to retool its curriculum to account for the e-book phenomenon, the New York Times reports.
After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.