A new service available to Australian students might cut down on the line lengths at university bookstores. Then again, it might also usher in an age of self-aware, Skynet-esque airborne Terminators. Presenting: drones specializing in textbook delivery.
“A couple of years ago I attended a British Council discussion about the state of contemporary writing and the creative future in Nigeria, Africa’s most populous nation. When someone brought up the dearth of memoirs in the Nigerian literary landscape, almost everyone in the room laughed ruefully. Someone joked aloud, ‘We can’t write memoirs. We’d have to wait for parents to die. Not just parents – everyone who knows us, even!’ This concern is not limited to nonfiction.” Bim Adewunmi writes for BuzzFeed on African immigrants’ stories.
This week in the New Yorker Jane Hu analyzes the “dispassionate first-person narrators” prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. “Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian.”
The Chicago Tribune is rolling out a new premium books section for $99 a year. The Printers Row offering (named for a Chicago neighborhood) “will feature 24 pages of book reviews, author interviews and Chicago-focused literary news, along with a weekly bonus book of short fiction.” You can either feel validated (special HBO-style “premium” section for readers!) or marginalized (so few people care about this that you have to pay extra if you want it.)