David Bowie hasn’t performed live in seven years, but he has a good excuse — he’s been reading. His top 100 books are part of the “David Bowie Is” traveling exhibition (currently in Toronto.) The list reveals that he’s a big fan of American lit, including Michael Chabon’s Wonder Boys, Saul Bellow’s Herzog, James Baldwin’s The Fire Next Time, and more. He’s also an amateur rock historian, naming Charlie Gillete’s The Sound of the City: The Rise of Rock and Roll and Peter Guralnick’s Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom among others. When can we sign up for the class, Professor Bowie?
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
The history behind the iconic Esquire cover that depicts Andy Warhol trapped in a swirling vortex of tomato soup. Before photoshop! I have a reproduction of this particular cover hanging in my kitchen, and I have to tell you that I can’t bear to eat canned Tomato soup at all anymore.
Following Sarah Hepola’s devastating New York Times Magazine profile of Cat Marnell with empathy and queer theory, Jane Hu’s piece on what it means to read Marnell, to follow her and crave her work even as her work destroys her, merits reading and rereading.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
Audrey Niffenegger has a new short story in the form of a comic. She collaborated with cartoonist Eddie Campbell on a comic about the dangers of using P.I.s to spy on your husband. The comic is one in a series of collaborations between novelists and cartoonists to celebrate the British Library’s forthcoming exhibition of British comics.