Recommended Reading: Amy Poehler’s New Yorker essay, “Take Your Licks,” on her summer job at an ice cream parlor. “If the style of the restaurant was old-fashioned, the parenting that went on there was distinctly modern. Moms and dads would patiently recite every item on the menu to their squirming five-year-olds, as if the many flavors of ice cream represented all the unique ways they were loved.” If this essay is any indication, her upcoming memoir is going to be great.
Anthony Domestico interviews C. E. Morgan about her second novel, The Sport of Kings, one of the most anticipated books of 2016. As she puts it, “Every aspect of the novel is–or should be—an arrow pointed towards its ultimate meaning, or a multiplicity of possible meanings.”
Just when you thought I wouldn't make you sad about Alan Rickman again, here he is starring in a film adaptation of one of Samuel Beckett's short plays. In case you missed it last time, these recordings of Rickman reading from Shakespeare, Proust, and Thomas Hardy will surely generate some feelings.
When asked about his tenure as a professor of creative writing, Harry Crews used to say, "I may be at the university, but I damn sure ain’t of the university." But in talking to his former students, Crews's biographer, Ted Geltner, found that in spite of the writer's efforts to distance himself from academia, he really was a passionate, memorable teacher. (Bonus: Yours truly named one Crews work his "most representative" Florida book.)
You’re probably up to your neck in World Cup coverage, but here are some gems well worth your attention no matter what: Teju Cole created a “Copa do Mundo do Brasil” playlist to set the mood; Pablo Torre’s one-sentence-long summation of Day One in São Paulo; an excerpt from Aleksandar Hemon's The Matters of Life, Death, and More: Writing on Soccer; The New Republic’s round-up of “eleven writers and intellectuals on the World Cup’s most compelling characters"; and, of course, Shaj Mathew's recent Millions review of Brazil’s Dance with the Devil.