The New York Times recently asked Jennifer Szalai and Mohsin Hamid why there isn’t a Great American Novel written by a woman? Both writers concluded that there is no such thing as the Great American Novel. “But if the idea of the Great American Novel is blinding us to exquisite fiction written by women, then perhaps its harm is exceeding its usefulness,” Hamid wrote. We think that’s a bit of a cop out. But a few women showed up on our list of the Greatest American Novels.
The Great American Male Novel
Declan Meade and Ireland’s Stinging Fly
Eileen Battersby profiled Declan Meade, the publisher, editor, and co-founder of Ireland’s Stinging Fly literary journal. The magazine, which just published its 43rd issue, has been credited with popularizing some of Ireland’s most significant contemporary writers.
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The Chance of a Lifetime
It’s famously easy to get scammed on OkCupid. Sarah Hepola (of Salon) knew as much when she joined. But when someone who claimed to be Joseph Gordon-Levitt sent her a flirty message, she figured… what could she do?
A Good Character Is Hard To Find
I’ve told you about The Atlantic’s By Heart series plenty of times before. This week brings us novelist Paul Lisicky taking a close look at how Flannery O’Connor’s “flawed” characters are the ones we find ourselves drawn to most.
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Kiley Reid on the Babysitter’s Dilemma
In Such a Fun Age, Kiley Reid used her own experience as a babysitter to explore the transactional relationship that exists when caring for someone's child.
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Moneyball Movie Back on Track
The embattled film version of Michael Lewis’ baseball bestseller Moneyball, once set to be directed by Steven Soderbergh, is now back on track with Bennett Miller, director of Capote, set to helm. Brad Pitt is still lined up to play Oakland A’s G.M. Billy Beane.
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Image of the Text
Recommended Reading: A brief history of book illustration and books as objects, over at Literary Hub.
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Start Again
Lucky Alan, which came out in February, is Jonathan Lethem’s first new story collection in more than ten years. He talked with Matt Bell about it in an interview at Salon. “What’s great about short stories is the opportunity to play at reinvention; all those new departures, all those new landings to try to stick,” he says. You could also read our review of his novel Dissident Gardens.