We didn’t think it was possible to make Gay Talese’s famous Esquire profile “Frank Sinatra Has a Cold” any better, but Talese recently annotated the article for Nieman Story Board.
The Annotated Frank Sinatra
The Book in 2100
Lots of publications — The Millions included — have tackled the differences between reading e-books and physical books. It’s hard to know just what these differences mean for the future of literature. In the Chicago Tribune, John Warner proposes a novel argument (registration required) for why physical books will live on.
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Kennedy Curse
J.K. Rowling loves Robert F. Kennedy. She revealed on her website that she chose the pseudonym Robert Galbraith after Kennedy and her childhood alias, Ella Galbraith. “I can only hope all the real Robert Galbraiths out there will be as forgiving as the real Harry Potters have been. I must say, I don’t think their plight is quite as embarrassing,” she wrote.
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Let’s Get 1,000 Feet on War And Peace
Jason Novak, brilliant penman behind last month’s brilliant Panorama of Middlemarch, has followed up that effort with an equally impressive Panorama of “Bartleby, the Scrivener.”
How Can I Help
“Often the people who turn most passionately to data and reason are those who feel most overwhelmed and controlled by irrational impulses.” New fiction by Rivka Galchen over at The New Yorker! Pair with our review of her most recent book, Little Labors.
A Mixed Media Analysis
Espen Terjesen, a Norwegian graphic artist, teacher, and writer, has put together a striking piece, equal parts graphic novel and academic essay, on Thomas Bernhard.
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You Should Move
“By three a.m., the seven of us had drunk a case of champagne, plus two additional bottles, followed by whiskey digestifs for the men. ‘They do this all the time,’ Pierre’s wife Chloe whispered to me in English at one point—dismissively, but without malice. As if to say, sure, Pierre’s relatives were lushes, but perhaps this was how life should be, inévitablement.” I doubt I have to tell you what city this all took place in.
Emily Dickinson, Harvard-Bound
Seth Perlow examines how Harvard claims the rights to Emily Dickinson's poems, a body of work that was unpublished when she died, more than 130 years ago.
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