A Hawaiian woman named Janice Keihanaikukauakahihuliheekahaunaele has won her battle against the state’s government computer systems and will now be able to fit her name – all 36 letters and 19 syllables of it – onto her driver’s license and ID card. Previously she’d been using a truncated version on her official documentation.
“I didn’t know who William Kelley was when I found that book but, like millions of Americans, I knew a term he is credited with first committing to print. ‘If You’re Woke, You Dig It’ read the headline of a 1962 Op-Ed that Kelley published in the New York Times, in which he pointed out that much of what passed for “beatnik” slang (“dig,” “chick,” “cool”) originated with African-Americans.” Are you familiar with William Kelley? Let Kathryn Schulz be your guide on this historical literary adventure as she discovers an immensely influential writer whom most of us have never heard mentioned.
“After [WWII], the other Finnish artists formed themselves into political groups but Tove wasn’t a joiner; besides, the only political activity she enjoyed was tyrant-baiting. She decided to emigrate to the island kingdom of Tonga but the governor wrote back saying there was a housing shortage and she wouldn’t be welcome. So she created her own Tonga: Moominland.” A new biography looks at the “conflicted life” and creative work of Tove Jansson, whose name has appeared several times here at The Millions.
Sam Tanenhaus asks, What do this season’s political books tell us about the election? As he puts it, “Election-year analyses always seem to arrive too late or too soon. They are useful nonetheless. The mistakes and misapprehensions — what the authors thought they knew — mirror the broader thinking of their moment.” Pair with this Millions essay on politics and excessive language.
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky’s eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.