Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde’s understanding of intellectual property, and an ethnography of readers at Borders.
“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
Although children’s earliest memories often don’t stay with them, as this new article on Aeon describes, babies form emotional connections and intellectual attitudes that last the rest of their lives. So read to your newborn, according to Jason Boog (Born Reading), even if she doesn’t yet know the words.
PW points out yet another publishing industry totem being torn down by the rise of e-books, the first printing number, once a signifier of how “big” publishers and the media expected a book to be: “In an era when first printings are down because e-books can account for as much as 50% of sales on frontlist titles, the term ‘first printing’ sounds more and more out of place.”
If for some unspeakable reason you didn’t follow my advice when I urged you to subscribe to the VQR over a year ago, then perhaps you need more convincing. Enter: Ron Charles. He’s got a brief preview of the magazine’s Winter Issue, which hit shelves this week, and which contains an essay based on Natasha Trethewey’s Library of Congress speech.
Haruki Murakami will publish his first short story collection in nine years this spring. Men Without Women will feature five previously published stories (including the controversial “Drive My Car”) and one new story. The book comes out in Japan in April, but there is no word on when we’ll see an English translation.