Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde’s understanding of intellectual property, and an ethnography of readers at Borders.
Joseph P. Kahn writes for The Boston Globe that books published posthumously are among the most profitable, from Stieg Larsson’s Millennium trilogy to David Foster Wallace’s The Pale King. Pair with the opening lines of The Pale King, and a previously unpublished scene.
You can call off the search, Millions readers–we have been given the year-end list to end all year-end lists. The good people over at The Literary Hub spent countless hours poring over social media accounts to bring you the most important “best of” you’ll see all year, The Biggest Cuties in Publishing.
How has a spirit legally defined as being “without distinctive character, aroma, taste, or color” flourished in today’s economic climate? Victorino Matus‘ Weekly Standard article explores the history and ubiquity of vodka. Perhaps this article is best paired with something from NPR‘s list of “Great American Writers and Their Cocktails.”
“I live a life of appetite and, yes, that’s right, / I live a life of privilege in New York, / Eating buttered toast in bed with cunty fingers on Sunday morning. / Say that again? / I have a rule— / I never give to beggars in the street who hold their hands out.” Frederick Siedel’s brusqueness makes many readers uncomfortable, yet many others revere him for his “brave cunning.” Whichever side of the fence you fall on, this is an interesting take from Don Chiasson at The New Yorker.