Recommended Reading: David Sedaris’s essay about his sister Tiffany’s suicide, “Now We Are Five,” for The New Yorker. “How could anyone purposefully leave us, us, of all people? This is how I thought of it, for though I’ve often lost faith in myself, I’ve never lost it in my family, in my certainty that we are fundamentally better than everyone else.”
When a professor of literature wrote Flannery O'Connor for a master key for interpreting her story, "A Good Man is Hard to Find," he probably did not expect her particularly unimpressed reply: "Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it." (Via the ever-excellent Letters of Note.)
"I’m sure the ghost is fascinated by the N.Y.C. vs. M.F.A. debate, and would add that there’s a literary-world bias... toward writing done by the living." The New Yorker interviews Rebecca Curtis about ghost stories and her latest piece of short fiction, "The Pink House." For more about Curtis, check out our review of her debut collection Twenty Grand: And Other Tales of Love and Money.
David Roberts spent 12 hours in front of a screen everyday, frequently hit the daily tweet limit, and saw "every sunset as a potential Instagram." So he decided to quit the internet for a year and lived to tell the tale for Outside. Yet disconnecting isn't as easy as signing off Twitter. "One striking feature of the digital-self-help literature is that it treats distraction, overload, and frazzlement almost entirely as personal challenges. If you’re stressed out and unable to concentrate, you’re not enlightened enough. Meditate harder." Pair with: What's it like to be from the last generation to remember life before the internet and our own Edan Lepucki's (slightly shorter) social media detox.
Robert Krulwich takes on two very different types of "nothing." As he illustrates through the invocation of Willem de Kooning, Robert Rauschenberg, and outer space, "nothing" is a lot more complicated than you might initially believe.
Valeria Luiselli has a new novel coming out, and BOMB has an exclusive excerpt. Titled “Hyperbolics,” it juxtaposes the goings-on at a church auction with descriptions of items on offer, which steadily grow macabre. You might want to check out her first novel after reading it to get some context.