Recommended Reading: David Sedaris’s essay about his sister Tiffany’s suicide, “Now We Are Five,” for The New Yorker. “How could anyone purposefully leave us, us, of all people? This is how I thought of it, for though I’ve often lost faith in myself, I’ve never lost it in my family, in my certainty that we are fundamentally better than everyone else.”
Boss Fight Books is a new series in the mold of the classic 33 1/3 model. In lieu of covering music albums, however, each Boss Fight book “will take a critical, creative, historical, and personal look at a single classic video game.” The first titles in the series will investigate Earthbound and Galaga, and they should be out by next December and January, respectively.
There’s been a lot of digital ink spilled about the traumas lurking in the comment section. It’s almost a rite of passage to get abused for something you write. But there’s another kind of trauma — what happens when you get no comments at all? At The Rumpus, Rachel Newcombe writes about a new kind of emptiness.
Try out our new “Random Post” button below the search boxes on the sidebar.CJR unveils new software in the quest to stamp out “gotcha journalism.”* Charlie Gibson, September 11, 2008:Question: “Have you ever met a foreign head of state?”Gotcha Quotient: 95Reason: First of all, foreign policy-related questions are incredibly unfair…Tennis reprints David Foster Wallace’s feature essay from its September 1996 issue.Perhaps not the most useful link in these tight times: “The Most Expensive Things I could Find On Amazon.com” (Note: several of these are out of stock. Coincidence?)None of you saw this coming: Rapper Coolio to release his own cookbook.Cindy Sherman’s famous librarian “Untitled Film Still” fetched $900k at a recent auction.
Gabriel García Márquez has died at the age of 87. The Colombian writer was a prominent novelist, screenwriter, and journalist. He was most famous for One Hundred Years of Solitude, Love in the Time of Cholera, and The Autumn of the Patriarch and won a Nobel Prize in 1982 for his work.
In a piece reminiscent of Talk of the Nation’s “You Can’t Possibly Read It All, So Stop Trying” episode, A D Jameson tracks every film he’s watched over a fifteen year span, and then discusses the data for HTMLGiant. Choice line (which could easily apply to literature, too): “The more you watch from the present day, the more garbage you’re bound to see—but your conclusions will be your own. Conversely, the further back you go, the more you’ll be guided by the opinions of others. (If nothing else, what’s available will be largely determined by what’s remained popular.)”