Perhaps inspired by the similarly-named astronomer, Freeman Dyson wrote an entry for the NYT’s By the Book series, in which he praises Edward Wilson, Kristin Ghodsee, Robert Kanigel and Octavia Butler, the last of whom he dubs his favorite novelist of all time. Sample quote: “The Magic City can be read on two levels, as a children’s adventure story and as a critique of modern society. Karl Marx was a friend of [Edith] Nesbit’s family.”
As evidenced by the amazing quiz “Jonathan Franzen Gripe or YouTube Comment about Saggy Pants,” a perception exists that the widely acclaimed writer is allergic to new technology. At Slate, Benjamin Nugent argues that Franzen’s new book, The Karl Kraus Project, proves inadvertently that Franzen is less of a Luddite than we think.
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.