What happens when a grown woman wears a ton of Axe body spray? The question is nightmare fuel, but Slate’s Dahlia Lithwick — in what can only be described as a heroic act of journalism — doused herself in America’s most notorious fragrance for a week to see how it felt.
Who knew? Here’s a handy infographic from Electric Literature that highlights seventeen films you probably didn’t know were based off of books.
Haruki Murakami retired his running shoes to walk to Kobe and rediscover his hometown. “Strictly speaking, it’s not my home town any more. I feel a deep sense of loss at this fact, as if the axis of my memories is faintly, but audibly, creaking within me. It’s a physical sensation,” he writes in an essay for Granta.
Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”
Since 2010, Russian publishing professionals estimate that “as many as 20% of [all] Russian book stores have closed.” Each year, they fear, the number of “dedicated readers in Russia declines by 2%.” To remedy these trends, the Russian government has recently approved a $100 million stimulus package for the nation’s book industry – running the gamut from investment in new bookstores, to tax incentives for small presses, and also to more international book fairs – to be dispersed through 2018. Recently, Emily Parker noted in The New York Times that Russia’s literary problems might be blamed on its lack of “good protest literature.”