What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.
New this week: My Name Is Lucy Barton by the Pulitzer laureate and Year in Reading alumna Elizabeth Strout; The Happy Marriage by Tahar Ben Jelloun; And Again by Jessica Chiarella; American Housewife by Helen Ellis; Your Heart Is a Muscle the Size of a Fist by Sunil Yapa; This Census-Taker by China Miéville; Eleanor by Jason Gurley; The Dogs of Littlefield by Suzanne Berne; and Even the Dead by John Banville’s alter-ego Benjamin Black. For more on these and other new titles, check out our Great 2016 Book Preview.
“Memoirism is perfect if you’re new to autobiographical writing and want an easy and enjoyable way to tell your story without necessarily having to live it. The software allows you to create memories that appear up to 99% accurate, so you can focus on your home, school, or work.” On a revolutionary new writing tool.