Runaway…
Why Reread?
Nabokov once claimed “there is no reading, only rereading.” In an essay for the New York Review of Books, Tim Parks pursues the “key to rereading,” taking The Waste Land and Mrs. Dalloway as his test cases.
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The Novel vs. The Net
Sven Birkerts, still working through arguments begun in The Gutenberg Elegies, suggests in The American Scholar that “the novel and the Internet are opposites.” (via)
For Auld Lang Syne
“A perfect example of what the short story can do when the form is at its best: containing as much of an emotional blow as that of a 800-page novel, regardless of its brevity.” The Guardian awards its 4th Estate BAME short story prize to “Auld Lang Syne” by Lisa Smith. The prize was launched in 2015 in response to a report “which found that black, Asian and minority ethnic (BAME) writers struggled both to get published and against stereotypes imposed by the UK’s overwhelmingly white publishing industry.”
Dr. Seuss and The Very Bad Influence
Add this to the list of incredible things you didn’t know you needed until now. At Quartz, Jenni Avins reads through a selection of hand-typed book reviews, found in the NYPL’s archives, in which librarians tear apart children’s books they find objectionable. Sample quote, from a review of Green Eggs and Ham: “There must be better ways of teaching a child to read than this.”
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In the Distance, a Dog Barked
At Slate, Rosecrans Baldwin notes “Pick up just about any novel and you’ll find a throwaway reference to a dog, barking in the distance.” Amazingly enough, he’s right.
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The Long Littleness
A young Apollo, golden-haired,
Stands dreaming on the verge of strife,
Magnificently unprepared
For the long littleness of life.
See the poet (in later life) here; and the poet-soldier about whom she wrote, here.
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