Considering the sheer volume of references in the cultural air, you probably believe you have a pretty good grasp of Shakespeare’s Romeo and Juliet. To this I say, hold up there, Straw Man Reader — Ye Olde Romance That Could has more to it than you think.
Romeo and Juliet Redux
Reviews for the King
Some reviews of Dave Eggers’s new novel, Hologram for the King, are starting to appear: Carolyn Kellogg writes that the story is accessibly though “elegantly told,” and Michiko Kakutani describes the prose as almost surprisingly “pared down” and “Hemingwayesque.”
New Paris Review Board Members
Word came out yesterday that Jonathan Galassi and Year in Reading alum Mona Simpson will join the Paris Review editorial board. Former editors both — Galassi edited the magazine’s poetry, while Simpson edited its fiction — the two will join Rose Styron, Jeffrey Eugenides and other notable figures on the board. Simpson also has a new novel coming out in April.
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Sandman is Back
Neil Gaiman is famous for a lot of reasons, but perhaps the number one reason is Sandman, the graphic novel series that won the author nineteen Eisner and six Harvey awards. Now, twenty-five years after publishing the first issue, Gaiman has written a prequel, named Overture.
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Puffed Up
Don’t blame Amazon or Goodreads for authors writing rave reviews of their own work. Writers have been self-promoting since the 1700s, when it was called “puffery.” As Nicholas Mason writes for Symposium Magazine, “Nearly every British writer of the late eighteenth and early nineteenth centuries either participated in or benefitted from ginned-up book reviews.” The list of puffed up authors includes Mary Wollstonecraft, Walter Scott, and Mary Shelley.
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I am throwing up in my hat.
So, not only does The Paris Review now have a “booty call” tag on their blog, but certain of their editors can be seen dishing out fashion advice in the fiction issue of VICE. Party on, Paris Review. Party on.
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Who Doesn’t Love The Giver?
Did you really dig Dan Kois’s profile of Lois Lowry and her classic novel, The Giver? Well, don’t miss her interview with Goodreads in that case.
Ottessa Moshfegh on Isolated Characters Growing Anywhere
Moshfegh discusses her 2018 book, My Year of Rest and Relaxation, and how it has taken on a life of its own during the pandemic.
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