Recommended Reading: Ben Marcus’s short story “Leaving the Sea” in the current issue of Tin House.
Michele Filgate was so terrified by Dave Eggers’s The Circle that she quit social media for a week and wrote about the experience for Salon. “I don’t want to become like Mae, sacrificing real-life friendships for the allure of the screen. I want to be aware of the world around me. I want to write about that world. I want to feel more alive, even if that means being lonelier in the process.” Pair with: our review of the novel.
Four days ago, The New York Times exposed the practice of purchasing five-star reviews on Amazon. So far, few have offered solutions. A Reddit user explains how to properly read Amazon review graphs through the cloud of purchased hype. Erin Keane calls for independent writers to hold themselves to higher standards.
Electric Literature held a Twitter contest recently in which their followers invented new literary neologisms for a chance to win copies of Carson Mell’s new e-book Saguaro. For my money, the clear winner was “Vonnegutsy: having the fortitude to mix aspects of genre fiction with literary fiction.”
BLDGBLOG, which has “always been interested in learning how novelists see the city,” interviewed China Miéville about “the conceptual origins of the divided city featured in his… award-winning novel The City & The City,” among other things. Architects, fans of urban decay, and general lit nerds are going to have a field day with this link, I promise you.
“There’s still time to look something else up.” Merriam-Webster pleads with word lovers to prevent “fascism” from becoming its word of the year, The Guardian reports. See also: this Lithub piece about the social media genius behind M-W‘s Twitter feed.