Emily Dickinson didn’t get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there’s controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
Now that Horse_ebooks as we knew it is dead (or alive, depending on your viewpoint), the Internet is convening to pay tribute to the Dadaist masterpiece. At Slate, Will Oremus opines that the feed was “pretty great” even when it was a spambot, while at The Globe and Mail, Navneen Alang argues that it’s “more wonderful today, not less.”
A translation guide to writing workshops that we’re definitely printing out and bringing along to our next one. “Sometimes when people say ‘show, don’t tell,’ what they mean is that they find the characters sympathetic, the story is moving forward, and they even like the conflict, but they just don’t like the way you wrote it. What they’d really like to do is steal the idea and write it themselves, because honestly, they would do a much better job.”