Poor Robert Frost can’t catch a break. Last month, we wrote about the Kansas man who stole a bronze bust of the poet. Now, a Vermont man has been charged with stealing Frost’s personal letters and Christmas cards that were left in a desk donated to the non-profit where he worked. He also sold them for $25,000 but only has to pay an $100 fine.
“It was spring. Byron was leaving England forever, a cloud of infamy hanging over him. (He is one of the few people you can write something like that about and have it be true; that is part of why he’s so satisfying.)” Via The Awl: the adventures of John Polidori, literary vampire and doctor to Lord Byron.
“How earnest, ironic, condescending, moralistic and simply funny a Tolstoy should the translator inhabit? Perhaps the only way to render Tolstoy’s variable voice is to continue producing ever-varying translations.” Masha Gessen looks at the latest English translations of Anna Karenina and breaks down their nuances of word choice and accumulated meaning for The New York Times Book Review, and along the way she questions the novel’s most famous line: just how alike are happy families? How can we know?
Good Books is an online book retailer that donates all of its proceeds to Oxfam. It’s also a big fan of trippy literary homage. In a collaboration with two creative studios, and without consulting the Hunter S. Thompson or Franz Kafka estates, the group’s released a promo that draws on some of the most “out-there” elements of both writers.
Recommended reading: Meg Wolitzer wonders “why are teenage girls drawn to books about mental instability?“
Curious what the Obamas will be reading over Christmas? The Scrutinizer in Chief stopped by Upshur Books in Washington, D.C. on Small Business Saturday to selected a nice little haul for the winter break with titles ranging from Jonathan Franzen’s Purity to Rachel Renée Russell’s Dork Diaries 1: Tales from a Not-So-Fabulous Life.
The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.