“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
For San Francisco readers: There’s a new show of huge, surreal paper mache animal sculptures up at The Mission Cultural Center for Latino Arts (December 4-17th). These paper beasts, featured in the San Francisco Symphony’s performance of Camille Saint-Saens “Carnival of the Animals” and created by local artist Colette Crutcher and her students, will be auctioned off to benefit the MCCLA at a party open to the public on December 17th.
“You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.” The Guardian asks indie publishers about the books that made their year, including Sudden Death by Álvaro Enrigue (whose own Year in Reading you can find here).
Eric Harvey presents The Social History of the MP3 at Pitchfork: “So omnipresent have these discussions become, in fact, that it’s possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself.”
Here’s a thing you’ve probably never thought of before: the sheer weirdness of some of the Christmas rituals in many canonical children’s books. In The Irish Times, Rosita Boland catalogues a few of the stranger ones, including Laura Ingalls Wilder’s Christmas dinner in summer and Lucy’s gift of a dagger in The Lion, The Witch and The Wardrobe.
Looking for a new literary magazine to submit to? Check out Midnight Breakfast. The Rumpus’s Rebecca Rubenstein edits the online free literary magazine, which is looking for fiction, nonfiction, interviews, and art that will “spark a conversation.” The first issue includes a Jason Diamond coming-of-age essay and a short story by Matthew Salesses.