The Syrian publishing industry is but one of the casualties in the nation’s ongoing civil war. “The whole of publishing is not more than 10 percent of what it was in the past,” says Samer al-Kadri who runs Bright Fingers Publishing House in Damascus.
Chad Harbach's The Art of Fielding is ubiquitous. We tapped it in our Second Half of 2011 Preview. n+1 bundled it with year-long subscriptions. The Awl interviewed the author. The New Yorker's Book Club picked it as their September book. It was reviewed in The New York Times. Now Keith Gessen's expanded his Vanity Fair piece on the novel's development into a standalone e-book. In light of all this hype, McNally Jackson's Tumblr provides a poignant list of baseball puns for reviewers to start avoiding.
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.
“There is a wide range of art in the world, but there is an urgent need for art that pushes us and makes us uncomfortable because it forces us to think, to question, to give into it, to resist.” Year in Reading alum Roxane Gay writes on Internet censorship and Dennis Cooper’s now deleted blog.