Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.
“Two writers guard an archive. One writes Fiction; the other writes Fact. To get past them, you have to figure out which is which.” Recommended reading: The New Yoker‘s Jill Lepore attempts to trace the “long-lost story of the longest book ever written,” Joe Gould‘s The Oral History of Our Time.
The music video for “Sweater” by Belgian indie outfit Willow relies on an impressive balance of timing, treadmill coordination, projection, and camera-work. A lot of ground is covered in a single room. It’s positively crazy. You might even say it’s virtual insanity. (Sorry I’m not sorry.)
“Often the people who turn most passionately to data and reason are those who feel most overwhelmed and controlled by irrational impulses.” New fiction by Rivka Galchen over at The New Yorker! Pair with our review of her most recent book, Little Labors.
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.