For those of you who were not on Twitter yesterday, the novelist Elizabeth McCracken tweeted a series of tips for applying to MFA fiction programs. Among other bits of good advice, she says it’s generally best to apply with a solid short story rather than a novel chapter.
The Economist gives a succinct explanation of “why books come out in hardback before paperback,” but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist‘s article with Nichole Bernier‘s Millions piece on “The Point of the Paperback.”
Books by Friends, a semi-regular feature at The Atlantic, sees writer James Fallows recommend the works of authors he knows. This week, he praises a book on the history of flight, a prediction for the economy and a jeremiad on American politics by Gary Hart. You could also read our own Kevin Hartnett on Fallows and American decline.
We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question — do money woes inspire writers to greater heights of creativity?
Need to spice up your writing? Try one of McSweeney’s punctuation marks such as the Yellow-Winged Apostrophe, which likes “to ‘peace out’ of its obligation to indicate possession or contraction,” or the Academic Ellipsis, which “is used by those who wish to demonstrate just how much more they know about how to use ellipses than you do.”