“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
Recommended Reading: Jenny Diski on our lost words. “So I had a thought about writing a book for the elderly, the old. Those who have lost their words more comprehensively than the friends around our lunch table, but haven’t lost themselves entirely. A book about where all the words go, where after a time they find the others and collaborate to make sentences.”
Our own Emily St. John Mandel won one of the inaugural Indie Booksellers’ Choice Awards yesterday for her novel The Singer’s Gun. The other honorees for this award, which was voted on by indie booksellers around the country, were Paolo Bacigalupi for The Windup Girl, Adam Levin for The Instructions, Karl Marlantes for Matterhorn, and Nina Revoyr for Wingshooters.
“Good political poems, outlive the events that shape them… they lead strange lives.” One such poem, written after a pogrom 100 years ago, has since been translated by Palestinian resistance leaders, and more recently claimed as “Israeli” by PM Netanyahu. Some of the most notable works of the genre have been collected by Poetry. New projects in political poetry I’m excited about: online journal Matter Monthly, and Rattle’s Sunday column for a political poem addressing events of that week.
Eileen Myles, the poet and self-described “loudmouthed lesbian (which means mainstream invisible)” has given One Grand Books a list of her ten favorite books from the Djuna Barnes classic Nightwood to John Wieners’s Supplication: Selected Poems. Here’s a complementary Millions essay on Eileen Myles and the fugitive form.