As of this month, all of Susan Sontag’s books are available for purchase as e-books. This means you can grace your e-reader with The Benefactor, Sontag’s debut novel, as well as Against Interpretation, which contains the seminal essay “Notes on Camp.”
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Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.
Even those who detest the sport can feel the joys of reading Roger Angell’s baseball writing. Case in point: his latest dispatch, in which he remarks on a recent triple play by saying, “What’s great about [triple plays] isn’t really their scarcity but the fact that they beautifully illustrate the invisible force that hovers about each pitch and play and inning and game in this pausing, staccato, and inexorably accruing pastime: the laws of chance.”
“I’ve always been interested in the internal shape-changes of the poem. In my student days, it was common to assume that the poem makes a statement — that it’s protesting war, or is grieving a death. My teachers, on the whole, didn’t see a poem as an evolving thing that might be saying something completely new at the end because it had changed its mind from whatever it had proposed at the beginning.” An interview with Harvard’s Helen Vendler about the structure of poetry, the benefits of studying science and mathematics, and the “miraculous” voices of Shakespeare and Keats.
The O.E.D., the ultimate bibliophile’s extravagance may never again appear in a new print edition, according to the New York Times. (via)”The most talked about books of the 2008 spring season,” according to European newspapers.Like Kennedy buffs hunched over stills from the Zapruder film, Bolaño enthusiasts may find themselves scrutinizing the cover design for 2666 (featured on the back flap of the galley).Wyatt Mason, one of America’s best critics, enters the blog fray. As does The New Yorker.”The idea that a university education is for everyone is a destructive myth.“
Michele Filgate was so terrified by Dave Eggers’s The Circle that she quit social media for a week and wrote about the experience for Salon. “I don’t want to become like Mae, sacrificing real-life friendships for the allure of the screen. I want to be aware of the world around me. I want to write about that world. I want to feel more alive, even if that means being lonelier in the process.” Pair with: our review of the novel.