Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
“One lie I tell is that we care, generally—human beings—about each other. We could not, I tell myself in the moments just before the night’s dark hour, create The Odyssey or King Lear or Thomas and Beulah without a profound sense of The Other. Surely, were it true this thing’s a joke, nothing more, and a cruel one at that, we’d have no Dickinson, no Yeats, no freakin’ Rumi, read by Bly, loud on an old tape deck while I shower.” Pablo Tanguay on the art of lying.