Year in Reading alum Maud Newton has a new short story up on Medium. Titled “Nobody’s Stranger,” the “Miami noir love story” somewhat wonderfully features a bar, “the most incongruous bar in Little Haiti,” in which the patrons are mostly “aging emo kids and British soccer fans and overweight burlesque enthusiasts.”
Medium Vice
I’m Good
In a way, this is the opposite of an interview: a series of conversations held exclusively between chatbots. At n+1, Nick Levine constructs dialogue straight out of Beckett. Pair with Houmon Barekat on Finn Brunton’s history of spam.
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Flournoy on Ellison
Year in Reading alum Angela Flournoy writes about Ralph Ellison’s Invisible Man for the National Book Foundation. “I return to Invisible Man often because it accomplishes so many things at once, but never at the sake of intelligent, moving storytelling.” Pair with our interview with Flournoy.
Robert McCrum on books
Would you rather have a long literary career, or write a brilliant, successful one-off? Robert McCrum considers the literary career arc.
Broken Mirrors
Etgar Keret, one of Israel’s best-known fiction writers, has a new memoir out, The Seven Good Years. The book covers a seven-year stretch between the birth of his son and the death of his father. At The Rumpus, Ryan Krull talks with Keret about the memoir, nuclear politics and living in Warsaw. You could also read Bezalel Stern on Keret’s most recent collection of short stories.
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Bookshelf of the Masses
From Jared Fanning, a charming graphic of the world’s 10 most read books.
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Literature’s Favorite Houseguests
Jessica Francis Kane lists some of her favorite houseguests in literature, including King Lear, Jane Bennet, and more.
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Excuse this dust.
Have you been reading Michelle Dean’s Saturday History Lessons over at The Rumpus? This weekend she wrote on Dorothy Parker’s ashes, which are, apparently, in Baltimore. Also, this one, on Flannery O’Connor and her best pen pal Betty Hester, is great.
Still Here
For a man who’s retired, Philip Roth is still oddly present in the literary world. Ever since he announced his intention to quit writing, he’s made a stream of public appearances, including an awards ceremony at Yaddo one week after claiming he’d never appear on stage again. So what gives? In The Baffler, J.C. Hallman explains why writers can never really quit, in a piece that nicely complements our own take on literary retirement. FYI, Hallman has written for us.
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