At The New Republic, Andrew Wylie talks about how he made millions off strictly “highbrow” fiction, a category which (for those who are curious) does not include the works of James Michener and the late Tom Clancy. Wylie — whose clients include Philip Roth, Martin Amis and Mary Gaitskill — suggests that a modern literary agency “needs to be able to expand infinitely, like a Borgesian library.”
Fifty years ago, Frank O’Hara released Lunch Poems, a collection of remarkably informal poetry that rebuked the more academic verse of his day. As a tribute, Dwight Garner writes about the importance of the book in the Times, arguing that O’Hara’s grasp of the zeitgeist is the reason he appeared on Mad Men. For more on the poet’s legacy, take a look at Christopher Richards on O’Hara’s lessons for being gay.
The Asian American Literary Review is releasing their Special Issue Commemorating the 10th Anniversary of September 11 with a launch party this Friday at 7pm in downtown New York at Alwan for the Arts. The 350-page(!) issue has interviews, essays, and first person testimony on 9/11 by South/Asian and Arab American contributors — including Kazim Ali, Amitava Kumar, and Khin Mai Aung from AALDEF (the Asian American Legal Defense and Education Fund) — several of whom should be at the launch.
We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.
“We don’t want to run a for-profit business, or even a break-even business that’s based on income. It’s something that would not return a great deal of money for us and would create an adversarial role.” The Huffington Post reports on the growing number of libraries dropping overdue fines. Pair with Daniel Penev on why public libraries have a more vital role to play in the culture than ever before.
“These conversations push Leonard outside his sister’s house and put him on a course complete with time travel, an unreadable ancient text, Jewish Mysticism, and an attractive reference librarian. And here’s where the trouble starts.” On Rachel Cantor’s A Highly Unlikely Scenario.
“My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort.” Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
Philosopher and flower hater Slavoj Žižek comes late to the “let’s discuss The Wire‘s greater cultural significance” party, but he does bring some excellent points with him. For the record, he doesn’t believe it’s the greatest TV series of all time. And the entire thing is worth hearing if only for an in-depth analysis of this [NSFW] scene.