At The New Republic, Andrew Wylie talks about how he made millions off strictly “highbrow” fiction, a category which (for those who are curious) does not include the works of James Michener and the late Tom Clancy. Wylie — whose clients include Philip Roth, Martin Amis and Mary Gaitskill — suggests that a modern literary agency “needs to be able to expand infinitely, like a Borgesian library.”
Thirty years after its initial publication, Don DeLillo’s White Noise is still every bit the hilarious, uncannily prescient classic that everyone believed it was. White nailed the whole “America poisoned by reality and the humming glow of computer screens” angle better than almost anyone. For more DeLillo, here’s what its like to re-read White Noise.
“In Colombia, Mexico, Nigeria, Mozambique, it’s the real thing, not magic, and the only way to tell these stories.” Man Booker International Prize finalist Mia Couto discusses the label “magic realism,” the death of Cecil the lion, his new novel Confession of the Lioness – one of the most anticipated books of 2015, and post-civil war Mozambique. Pair with Philip Graham’s Millions essay on Couto’s fiction.