At The New Republic, Andrew Wylie talks about how he made millions off strictly “highbrow” fiction, a category which (for those who are curious) does not include the works of James Michener and the late Tom Clancy. Wylie — whose clients include Philip Roth, Martin Amis and Mary Gaitskill — suggests that a modern literary agency “needs to be able to expand infinitely, like a Borgesian library.”
New this week: The Ocean at the End of the Lane by Neil Gaiman, Carnival by Rawi Hage, In the House upon the Dirt between the Lake and the Woods by Matt Bell, Children of the Jacaranda Tree by Sahar Delijani, the collected letters of Italo Calvino, and the seventh issue of McSweeney's food mag Lucky Peach.
Jonah Lehrer may not have exactly “self-plagiarized” his own work, but he certainly did recycle a good amount of his writing in a misleading way. And while many have criticized this kind of lazy writing, it’s worth revisiting Tim Requarth and Meehan Crist’s critical review of Lehrer’s book, Imagine, which plays a central role in this entire scandal.
The New York Times best-selling author Malcolm Gladwell recognizes that printed books can be beautiful, covetable objects that enhance the experience of reading. He hired Brian Rea, a frequent Times Magazine illustrator, and Paul Sahre, a designer who also frequently contributes to the magazine, to collaborate on the visuals for a new box set, Malcolm Gladwell: Collected.