Hate your job? At least you’ve never been Stanley Kubrick’s secretary: “Instead of having [‘All work and no play makes Jack a dull boy’] typed on only the few sheets seen by viewers, the director asked his secretary Margaret Warrington to type it on each one of the 500-odd sheets in the stack. What’s more, he also had Warrington type up an equivalent number of manuscript pages in four languages—French, German, Italian, Spanish—for foreign releases of [The Shining].”
Recommended Viewing: This installment of The Paris Review’s “My First Time” series, in which poet Ben Lerner remembers “working under the sign of crisis” and attempting to find a publisher for his first book, The Lichtenberg Figures. A couple of Lerner-related pieces from The Millions: a review of his newest novel, 10:04, and a Year in Reading from back in 2014.
New this week: My Education by Susan Choi, Five Star Billionaire by Tash Aw, Loteria by Mario Alberto Zambrano, The Unknowns by Gabriel Roth, and a new edition of a previously hard to come by early collection of stories by John Banville, Long Lankin. Stay tuned for our big second-half preview with many, many more anticipated books, coming in less than a week.
“A book critic working today must contend with a world in which more diverse voices are heard and the traditional gatekeepers have less power to enforce conformity.” LitHub interviewed Kate Tuttle, the president of the National Book Critics Circle, about literary criticism. Read our own Emily St. John Mandel on bad reviews.
Stephen King’s latest, Under the Dome, is out today. It’s 1,100 pages and is being compared to The Stand. Meanwhile, Generation A by Douglas Coupland is also hitting shelves. It’s a sequel to Coupland’s famous, influential debut, Generation X. Also out last week was Jonathan Safran Foer’s treatise on vegetarianism, Eating Animals, which picked up a mixed review in the New Yorker.
Michele Filgate was so terrified by Dave Eggers’s The Circle that she quit social media for a week and wrote about the experience for Salon. “I don’t want to become like Mae, sacrificing real-life friendships for the allure of the screen. I want to be aware of the world around me. I want to write about that world. I want to feel more alive, even if that means being lonelier in the process.” Pair with: our review of the novel.
George Washington as you’ve never seen him before: First, a cartoon entitled “Cox and Combs” and second, a live action avant garde take on the founding father.