Hate your job? At least you’ve never been Stanley Kubrick’s secretary: “Instead of having [‘All work and no play makes Jack a dull boy’] typed on only the few sheets seen by viewers, the director asked his secretary Margaret Warrington to type it on each one of the 500-odd sheets in the stack. What’s more, he also had Warrington type up an equivalent number of manuscript pages in four languages—French, German, Italian, Spanish—for foreign releases of [The Shining].”
Poetry readership among U.S. adults is the highest it’s been in 15 years—with young adult readership (among 18-24 year olds) nearly doubling—according to the National Endowment for the Arts’ 2017 Survey of Public Participation in the Arts (SPPA). (For what it’s worth: The Millions has always loved poetry).
Ben Lerner has a story [subscription required] in this week’s New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in “activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting.”
Several recent novels — among them Dave Eggers’s The Circle and Thomas Pynchon’s Bleeding Edge –tackle the effects of social media on our world. The latest, Book of Numbers by Joshua Cohen, may be the best of the bunch, writes Andrew Hulktrans. At Bookforum, he explains why Cohen’s depiction of an app-saturated world is unparalleled. You could also read Jonathan Frederick Post on Cohen’s novel Witz.